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Articles 2001
‘Impossible Postures’ – the work of Sandra Thomson in Craft Arts International Sept. No 53, Spring 2001
‘Sense and Sensitivity’ – the sculpture of Kazuisha Nakagawa’ in World Sculpture News Vol 7, No. 3, Summer, 2001
‘With conviction and integrity’ – the work of Arone Raymond Meeks in Asian Art News, July 2001
‘Postcards & Emanations’ – the work of Stanley Palmer in Craft Arts International No. 52, Winter, July, 2001
‘In Praise of the land’ (Rakiura) in Asian Art News, Vol 11 No. 3 May/June, 2001
‘Leading Impressions’ a catalogue essay on 6 printmakers for travelling exhibition initiated by CoCA and School of Fine Arts, University of Canterbury 2001
‘From the Soul of Stone’ – the work of Gavin Hitchings in World Sculpture News Vol 7, No. 2, Spring, 2001
‘Rakiura – kahurangi taonga / a precious treasure’ – catalogue essay on 12 artists’ responses to Stewart Island/Rakiura for Southland Museum and Art Gallery, March 2001
‘Uncle Vanya 1887/1998 – a contemporary plea for mercy and grace’ in Études Irlandaises, Printemps 2001 No. 26-1 (Presses Universitaires du Septentrion, Rue du Barreau – 59654 Villeneuve d’Ascq cedex) 2001
‘Brian Friel’s Three Sisters’ in the Canadian Journal of Irish Studies, Concordia, August, 2001
‘Dilana Rugs’ in Craft Arts International, Australia, No. 51, Autumn 2001
‘Adventures in Change’ – the work of Jennifer Matheson in Asian Art News Vol. 11 No. 1, Janu/Feb. 2001
‘Jae-koo Liu’ in Asian Art News, Vol. 11 No. 1, Janu/Feb. 2001
Articles 2000
‘An Archaeology of Time and Place’ – the art of Bing Dawe in World Sculpture News Vol 7, No. 1, Nov. 2000
‘The Webb Sights of Southland’ – Printworks by Marilynn Webb in Craft Arts International, Australia, No 50, Spring 2000
‘Praxis in Practice’ – the sculpture of Graham Bennett in Craft Arts International, Australia, No 46, Sept. 2000
‘A Body of Enquiry’, the sculpture of Bing Dawe’ in Craft Arts International, Australia, No 46, Mar. 2000
Reviews in World Sculpture News 1999-2000: The Post-Object and Performance Art Symposium (Christchurch), the Wallace Awards at CoCA, exhibitions by Frank Womble and Neil Ensor at CoCA, a review of Mark Stocker’s biography of Francis Shurrock
Articles 1999
‘Dramas of Disequilibrium’ – essay in catalogue accompanying exhibition at the Robert McDougall Art Gallery, May 1999
‘Immaculate Chaos - the paintings of Geoff Dixon’ in Art New Zealand, August, 1999
‘Ways of Seeing’, a catalogue essay accompanying a major retrospective exhibition of paintings by Alan Pearson, at the Robert McDougall Art Gallery, Christchurch, August 1999
‘Re-sighting Southland – “In Hodge’s’Wake”’ – the work of Marilynn Webb in Art New Zealand, March, 1999
‘How do we live’ – the fibre art of Vivienne Mountfort in Textile Fibre Forum, Queensland, March 1999
‘Philosopher-Printmaker’ – the prints of Kan Shimada in Craft Arts International, Australia, No 45, January, 1999
Articles 1998
‘Human/Nature’ – the work of Denise Copland in Craft Arts International, Australia, No 44, October 1998
‘New prints from old metal, from Lyttelton’, an article on Kan Shimada, Master Printmaker, (artist in residence, Otago School of Arts), Press, Christchurch, 1998
Articles 1997
‘The Importance of Dialogues’ – the sculpture by Graham Bennett in World Sculpture News, Spring, 1997
‘Grammar of Caution’– the work of Barry Cleavin in Craft Arts International, Australia, No. 40, 1997
‘The Elements of Doubt, The Singer or the song?’ a catalogue essay accompanying a major retrospective exhibition of prints by Barry Cleavin, at the Robert McDougall Art Gallery, Christchurch, 1997
‘From Edge to Inroads’ – Alan Pearson in Australia, in Art New Zealand, No. 84 Spring 1997
Articles 1996
‘The work of Graham Bennett’ – catalogue and essay for Mie Prefecture Exhibition, Japan, 1996
‘The Writing of Ireland: Brian Friel’s Translations’ in Irish-Australian Studies (Sydney: Crossing Press) 1996
‘The Dancer or the Dance?’ A critical Analysis of Brian Friel’s Dancing At Lughnasa in Études Irlandaises, Printemps No. 21-1 (Sainghin-en-Mélantois: Université Charles De Gaulle-Lille) 1996
‘Songs of Social Incentive’ – the work of Michael Reed’ in Craft Arts International No. 38, 1996
‘Harmony in Co-existence’ – catalogue essay for a select exhibition of the works of Vivienne Mountfort, at the Robert McDougall Art Gallery, 1996
‘Portraits of an artist in a maverick genre’ (Alan Pearson) in The Press, April 1996
Articles 1995
‘The Wretched of the Earth’, The ethics of political violence and its ministers of sacrifice in Edward Bond’s Jackets’ in Études Anglaises, No. 3 Juillet-Septembre (Paris: Didier Érudition) 1995
‘Stimulus to Style’ – on an exhibition at the CSA, Christchurch in Art New Zealand, No. 73 Summer 1994-95
‘Making Relations: translations of form and forces by Graham Bennett’ in Art New Zealand, No. 72 Spring,1994
‘One Pacific Viewpoint: The Work of Michael Reed’ in Art New Zealand, No. 58 Autumn 1991
‘Impressions from Berlin, November 1989’ in Soviet Pacific Press, January, 1990
‘Computers and Economics Information’ booklet for Hagley Community College, 1990
‘Life is a Wound’ – on the paintings of Alan Pearson in Art New Zealand, Summer, 1989
‘The Crafts and Women’ in Crafts Council Magazine (Special Double Issue) 28, Winter, 1989
‘Culture as History’ – slides and texts: The Americas, Egypt, Europe, Russia, China, Japan, Australia, and the Contemporary Art and Crafts Movement, made for and sold nationally by the Christchurch Polytechnic in1988
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